New York Times “Views of Mao’s China, and What It Became” By Benjamin Genocchio, April 8 2010

The Kansas City Star “Bartle Hall Loading Dock Goes from Drab to Dramatic” by Kevin Collison, Nov. 5, 2008

The Arizona Republic “Light-rail 'Hands' designed to connect us as people” by William Hermann - Dec. 16, 2008

Oregon Daily Emerald “A Universal Language” by Jill Aho July 25, 2007, from cover page on

Register Guard “Art Notes—Artist working on steel sculpture at UO” Arts Section, Aug. 9, 2007 Inside Oregon “For the University of Oregon Community” Aug.6, 2007

Sunday Morning Post “Take it or Leaf it...” Review page 7 / September 26, 2004

Oriental Art “No Reconciliation: The Art of Convergence in the Art of Zhao Sui-Kang” By Patricia Karetzky, 2001

The Oregonian "Conceptual Restraints" by D.K. Row Dec. 17, 1999

ETC Montreal No.45 "Espace dilate et lieux de convergence" by Christianne Dandenault 1999

The New York Times, Exhibition review by William Zimmer Sunday Art, Nov. 22, 1998

The New York Times, Shows reflect Multitude of Different Styles by Vivian Raynor, Feb.16, 1997

Asian-Pacific Arts News, Exhibition Review by Jonathan Goodman, p.57 Feb. 1996

News Days, "Turning Hate into a Work of Art", by Tina Morales, Oct.13, 1995 p. A37

The New York Times, "Carriage House Installations", by Helen A. Harrison, Art pp. 9, 18, 24, 1994

ArtNews, "Emigre' Artists: Rocky Landings", Carol Lutfy, pp. 49-50, Nov. 1993

China Avant-garde, "Zhao Suikang" Haus der Kulturen der Welt, Berlin, Germany, 1993