ZHAO SUIKANG | 赵穗康 |
Selected Biography |
New York Times “Views of Mao’s China, and What It Became” By Benjamin Genocchio, April 8 2010
The Kansas City Star “Bartle Hall Loading Dock Goes from Drab to Dramatic” by Kevin Collison, Nov. 5, 2008
The Arizona Republic “Light-rail 'Hands' designed to connect us as people” by William Hermann - Dec. 16, 2008
Oregon Daily Emerald “A Universal Language” by Jill Aho July 25, 2007, from cover page on
Register Guard “Art Notes—Artist working on steel sculpture at UO” Arts Section, Aug. 9, 2007 Inside Oregon “For the University of Oregon Community” Aug.6, 2007
Sunday Morning Post “Take it or Leaf it...” Review page 7 / September 26, 2004
Oriental Art “No Reconciliation: The Art of Convergence in the Art of Zhao Sui-Kang” By Patricia Karetzky, 2001
The Oregonian "Conceptual Restraints" by D.K. Row Dec. 17, 1999
ETC Montreal No.45 "Espace dilate et lieux de convergence" by Christianne Dandenault 1999
The New York Times, Exhibition review by William Zimmer Sunday Art, Nov. 22, 1998
The New York Times, Shows reflect Multitude of Different Styles by Vivian Raynor, Feb.16, 1997
Asian-Pacific Arts News, Exhibition Review by Jonathan Goodman, p.57 Feb. 1996
News Days, "Turning Hate into a Work of Art", by Tina Morales, Oct.13, 1995 p. A37
The New York Times, "Carriage House Installations", by Helen A. Harrison, Art pp. 9, 18, 24, 1994
ArtNews, "Emigre' Artists: Rocky Landings", Carol Lutfy, pp. 49-50, Nov. 1993
China Avant-garde, "Zhao Suikang" Haus der Kulturen der Welt, Berlin, Germany, 1993